3 of my favourite Gil Scott-Heron records including one from his recent album I'm New Here
Sunday, 29 May 2011
Friday, 13 May 2011
For The City
In our church homegroup we've recently been learning about how cities were intended to be places of refuge, cultural diversity and of prosperity. Tim Keller has written a very good book/DVD called Gospel In Life on it, and it got me thinking, how much does the city really means to us all in our daily lives? Should we go to the city for our career or to take from it, or should we be giving to it?
So this mix came about, a soundtrack for the city in the summer. Rare northern soul, funk and party to travel the trams to.
So this mix came about, a soundtrack for the city in the summer. Rare northern soul, funk and party to travel the trams to.
James Brown- Down And Out In New York City
Abraham & The Metronomes- Party
New Yorkers- Don't Wanna Be Your Fool
The Harvey Averne Dozen- Think It Over
Karmello Brookes- Tell Me Baby
Betty Harris- Ride Your Pony
Gene Williams- Don't Let Your Love Fade Away
Carol Woods- Why You Wanna
All The People- Cramp Your Style
Kashmere Stage Band- Super Strut Pt 1
General Crook- Fever In The Funkhouse
Blackbyrds- City Life
Dennis Coffey- Getting In On '75
Sunshine Band- Black Water Gold
The Positive Sounds- Fired Up
Cymande- The Message
Cloud One- Spaced Out
Kool & The Gang- Summer Madness (Magics Groove Mix)
Labels:
Mix,
Playlist,
Podcast,
Record Collecting
Saturday, 16 April 2011
Record Store Day
For the last 3 months things have really been ramping up for Record Store Day, a day where independent record shops get the much deserved spotlight. Excited queue's form outside record shops and extra staff are laid on. Now in it's sophomore year and whilst still fledgling, it's getting more support as it goes on with an increase in stores joining and more in the US, Canada, the EU and beyond. This year musicians such as Ozzy Osbourne recorded messages of support for it, acts like Primal Scream and The Fratelli's were interviewed on TV, and reporters flocked to some of Soho's finest indie shops. Because of the prominence this is receiving labels and artists release limited edition records (mostly vinyl) which sell out quickly.
So I set off from the breezy Parsons Green station at 9.30 this morning, cup of coffee in hand, tired but intrigued. My destination was Sounds of The Universe on 7 Broadwick Street, a shop i'd not been in before but had wanted to visit for quite a while. Their close affiliation to SoulJazz records means it's pretty much the shop for me, recent excellent releases and re-issues made sure of that- two Bossa Beat compilations, a Delta Swamp comp and a Roy Ayers vinyl amongst them. They don't stock indie rock (Guitar bands), but do stock crates of Disco, HipHop, Rare Soul & Jazz LPs a bit of techno, reggae and plenty of Funk. There's also some educational music dvd's and books.
Outside, it's 10.15 and a motley set of punters had started to form an orderly queue - "An Englishman, even if he is alone, forms an orderly queue of one."- (George Mikes), and so i joined 9th in line awaiting opening. Whilst there several of us, who hadn't previously known each other, started chatting about records we liked, what we wanted to get on the day and also traded some music stories. One remarked that the queue outside Rough Trade East was '500 strong' with a 2 hour wait, so it was quite nice to know that there was only 20 or so of us standing outside this shop.
At 11am there were over 30 in the line queuing just around the corner and then the wood framed doors were opened. Most of us went straight to the till to ask about the exclusives, no Beastie Boys but a decent number of 'Ubiquitous' by Dennis Coffey which I picked up along with the excellent Charles Bradley album on Menahan (Daptone).
Later and journeying back home to write this and listen to some music, I was quite chuffed to have been a small part of Record Store Day. In these times of uncertainty, with the news about HMV and the decline of physical sales, Record Store Day could yet be the fulcrum that the wider music industry would do well to take further note of.
Record Store Day : http://www.recordstoreday.com/uk
Sounds of The Universe: http://www.soundsoftheuniverse.com/
So I set off from the breezy Parsons Green station at 9.30 this morning, cup of coffee in hand, tired but intrigued. My destination was Sounds of The Universe on 7 Broadwick Street, a shop i'd not been in before but had wanted to visit for quite a while. Their close affiliation to SoulJazz records means it's pretty much the shop for me, recent excellent releases and re-issues made sure of that- two Bossa Beat compilations, a Delta Swamp comp and a Roy Ayers vinyl amongst them. They don't stock indie rock (Guitar bands), but do stock crates of Disco, HipHop, Rare Soul & Jazz LPs a bit of techno, reggae and plenty of Funk. There's also some educational music dvd's and books.
Outside, it's 10.15 and a motley set of punters had started to form an orderly queue - "An Englishman, even if he is alone, forms an orderly queue of one."- (George Mikes), and so i joined 9th in line awaiting opening. Whilst there several of us, who hadn't previously known each other, started chatting about records we liked, what we wanted to get on the day and also traded some music stories. One remarked that the queue outside Rough Trade East was '500 strong' with a 2 hour wait, so it was quite nice to know that there was only 20 or so of us standing outside this shop.
At 11am there were over 30 in the line queuing just around the corner and then the wood framed doors were opened. Most of us went straight to the till to ask about the exclusives, no Beastie Boys but a decent number of 'Ubiquitous' by Dennis Coffey which I picked up along with the excellent Charles Bradley album on Menahan (Daptone).
Later and journeying back home to write this and listen to some music, I was quite chuffed to have been a small part of Record Store Day. In these times of uncertainty, with the news about HMV and the decline of physical sales, Record Store Day could yet be the fulcrum that the wider music industry would do well to take further note of.
Record Store Day : http://www.recordstoreday.com/uk
Sounds of The Universe: http://www.soundsoftheuniverse.com/
Tuesday, 8 March 2011
Rewards With Repeated Listen : Raphael Saadiq- Good Man
Retro RnB/Soul artist Raphael Saadiq can really hit the spot with some of his music, and yet other times he seems like he's trying to be cool just a bit too much.
Take for instance the masterful 'Skyy Can You Feel Me' from critically acclaimed album 'Instant Vintage' or the edgy 'Rifle Love' then juxtapose with records like Sure Hope You Mean It which have such a close an affiliation to Motown that you wonder if it was in fact part of the legendary Detroit label's output.
On this first single from album number 4, he's definitely grasped an opportunity to blend both vintage soul with a modern twist. On Good Man he makes a statement about trying to do the right thing to support his family including working two jobs putting food on the table and loving the Lord.
Here too he has carefully crafted a very decent piece of cinema (directed by Isaiah Seret (Gogol Bordello’s “Immigraniada”) which pauses mid-way for a piece of controversial female fight-club footage whereafter his 'Lady' frames him for a crime he didn't commit and in the process he is humiliated. All because he can provide love but not an abundance of money. However the song doesn't end there and we see the moral to the story come the end.
In a similar vein to Aloe Blaccs I Need A Dollar (see previous album review on this blog), he uses the sample-soul sound to his advantage, overlaying thoughtful lyrics to a sassy RnB-come-neo soul hook written and performed by Taura Stinson (Destiny's Child). If Saadiq wasn't on this record now, then Marvin Gaye wouldn've been. Times are lean and people are more likely to be working two jobs, something Saadiq grapples with on this timely song.
Well worth spinning; this should be considered a modern soul classic. *****
Taken from the new album Stone Rollin , due for UK release on March 21st
Take for instance the masterful 'Skyy Can You Feel Me' from critically acclaimed album 'Instant Vintage' or the edgy 'Rifle Love' then juxtapose with records like Sure Hope You Mean It which have such a close an affiliation to Motown that you wonder if it was in fact part of the legendary Detroit label's output.
On this first single from album number 4, he's definitely grasped an opportunity to blend both vintage soul with a modern twist. On Good Man he makes a statement about trying to do the right thing to support his family including working two jobs putting food on the table and loving the Lord.
Here too he has carefully crafted a very decent piece of cinema (directed by Isaiah Seret (Gogol Bordello’s “Immigraniada”) which pauses mid-way for a piece of controversial female fight-club footage whereafter his 'Lady' frames him for a crime he didn't commit and in the process he is humiliated. All because he can provide love but not an abundance of money. However the song doesn't end there and we see the moral to the story come the end.
In a similar vein to Aloe Blaccs I Need A Dollar (see previous album review on this blog), he uses the sample-soul sound to his advantage, overlaying thoughtful lyrics to a sassy RnB-come-neo soul hook written and performed by Taura Stinson (Destiny's Child). If Saadiq wasn't on this record now, then Marvin Gaye wouldn've been. Times are lean and people are more likely to be working two jobs, something Saadiq grapples with on this timely song.
Well worth spinning; this should be considered a modern soul classic. *****
Taken from the new album Stone Rollin , due for UK release on March 21st
Labels:
Record Collecting,
Single Review
Monday, 28 February 2011
It's All Happening Now
About 9 years ago, when at college, I was in Imperial Records on Park Street Bristol, the shop full of people browsing through the racks- new and old vinyl and some cd's and tapes too. It's been sorely missed, as it was one of those shops with an authentic musty smell, the sort you normally only get in 'proper' record shops. Whilst browsing I overheard a fellow punter saying 'This Lewis Parker record is really good' as it was playing over the shop speakers.
It's a true thing that one person's recommendation is worth more than any TV ad. It's person to person that counts sometimes. And 9 years later, this overheard P2P recommendation worked. I found myself strangely drawn to Parker's sophomore album as if a missing friend I hadn't seen for a very long time (and who wasn't on facebook).
So my quest began again, firstly, was the album on Spotify for me to rekindle my memory 9 years ago of the album? Luckily, this was a tick, and so for the next two weeks on and off, I tuned in. Again going through track-by-track, reminded each time of both the great production on the album, the original b-boy beats, Parker's raw voice and homegrown lyrics, spinning stories that make you think and challenged you in the same way that Tribe, Beastie Boys and DeLaSoul did.
Having satisfyed myself that I should own a hard-copy of the album, I went onto HMV, signed up to their Pure card because you get points (good ones), and dropped the album into the online basket.
4 days later and i'm playing the CD at home and boy was the 9 years and 4 days delivery time worth the wait.
Lewis Parker- "It's All Happening Now (The Ancient Series 3)"- hmv.com
Labels:
Album Review,
Record Collecting
Monday, 24 January 2011
Make The Road By Walking
Seeing as i've left over a month since my last post, I thought i'd share with you an album with some great artwork, that I appreciate every day as my desktop image.
Dunham Records is an offshoot of the infamous Daptone label (The Dap Kings, Sharon Jones), and their first album came from the Menahan Street Band. Menahan Street is the very same as Daptone studios are situated.
The layout here is hugely enjoyable- the cars, the people and activity going on below all seem perfectly set, creating an impression of hustle without too much noise, and the music is brilliant. The title is apt too, saying life is about the journey and walking the path.
Sometimes with music the artwork can be the last thought when making an album, but getting it right and creating a perception that makes people want to listen to it is critical.
I'm hoping that my next outing here will continue on the artwork-and-music theme, as i'm undertaking a special project, so keep watching this space!
![]() |
The cover art to Make The Road By Walking , 2008 |
Monday, 13 December 2010
2010- end of year review
So seeing as we're nearly in 2011, here are 10 of the albums that have really stood above the rest for me this year.
This list features on Amazon here
Ty- Special Kind Of Fool
Possibly Ty's best album yet, and his debut on BBE this could be hiphop album of the year. Lyrically sharp, funky and as ever with Mr Chikoke- personal.
Aloe Blacc- Good Things
Politically shrewd, soulful and forward looking, Blacc paints a picture of America 2010. This is Blaccs moment as he glances toward Gil Scott Heron and Bill Withers. Featuring I Need A Dollar, big hit.
Shad- TSOL
A stellar album from one of Canada's finest up and coming hiphop artists, TSOL has Christian roots lyrically but boy is this record funky. If you like Pharcyde, check this.
Travie McCoy- Lazarus
This isn't me going all commercial, but this is an excellent pre-party album, irresistibly catchy (unfortunately). And Billionaire says something about modern society.
The Hundred In The Hands- The Hundred In The Hands
Very under appreciated album, you'll like that if you were a fan last year of Ladyhawkes album. The track Pigeons stands miles ahead.
Bonobo- Black Sands
Four albums in and Simon Green still has an ability to surprise and delight. In Black Sands he has created a beat record influenced by the contemporary and the oriental.
Sharon Jones & The Dap Kings- I Learned The Hard Way
She makes follow up albums seem easy and seems to get better with age, but this record is too catchy to put down, 12 very well written songs, accompanied with knockout funk flair by the dap-kings.
Harper Simon- Harper Simon
Always difficult to be in your dad's shadow, but Harper's album proves he can stand on his own two just fine (even if his dad did co-write a couple). One of the best debuts you're likely to hear.
Hauschka- Foreign Landscapes
Pretty much Man With A Movie Camera 'Part 2', the German born producer eloquently paints intricate and often mood-setting glacial soundscapes.
Nite Jewel- Good Evening
Okay so this is late 2009, but can you date it? Lo-fi 80's synth pop which looks towards Kraftwerk. Recorded in a bedroom and all analogue, dark & deep, lo-fi is back and long live cassette.
Labels:
Album Review,
List,
Playlist,
Record Collecting
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